Rita is extremely animated and all things evil brings her much joy that you can see it in her smile. How did you go about playing Rita? Were there pieces of your own personality in her mannerisms?Ī: That’s a tough question. If you can remember, What was your favorite episode to film?Ī: I have several but if I’d have to narrow it down, it would be Lord Zed and Rita’s wedding day & count down to destruction. She was and still is the sweetest person. When Catherine Sutherland was introduced as the new Pink Ranger, Kat, we filmed many scenes together and we naturally became close. I was close to the stunt men who performed in the Zedd, Rito and Goldar suits. Every once in awhile I did film with other cast members. Who would you say was your closest friend on the set?Ī: I mainly filmed on another’s set since most of my scenes where set on the moon. How fun was it to film “The Wedding” multi-parter where Rita married Lord Zedd? That is one of our all-time favorite episodes!Ī: I loved it, that was one of my all time favorite shows too! It was a huge task to orchestrate all those monsters in one room, but in the end we had one memorable, hilarious and unique wedding day that made all the craziness worth it! Every day you could feel the excitement in the air. I couldn’t of asked for a better group of people and the experience was even more special because we were a part of something big and legendary. They were so welcoming, kind and accommodating. I’d pray all the time to one day work on a TV show and when my prayers were answered I thought I was the most luckiest girl in the world! It truly was an exciting time for me.Ī: It was fantastic! The cast & crew were among the best people I had ever worked with. I would get a commercial or a small part here & there but I so badly wanted to be working everyday on a consistent basis. I would film several scenes for different episodes where Rita had not yet became young.ĭo you remember what it was like to hear you got the part?Ī: Yes, at the time I was a young struggling actress going on auditions about 2 to 3 times a week. When were you first hired to play Rita? Do you remember the first scene you filmed as Rita?Ī: I can’t recall the exact date I began portraying Rita Repulsa. Though I didn’t get the part, he did call me in for another character he had in mind to do a screen test for Rita Repulsa. I originally auditioned for a movie Shuki Levy was directing at the time. Had you ever heard of or watched Power Rangers before auditioning? What was the audition process like?Ī: Yes, I did hear a little about Power Rangers, however I was not aware how popular the show was among the young audience. One that questions relative reality and creates the possibility for new and unconventional ideas.After the Sentai footage was used up a talented woman & beautiful young face was needed to fill the shoes and pointed wig of Rita Repulsa! Enter Carla Perez as the Empress of Evil who played the part until the very end of the Zordon Era at the end of Power Rangers in Space! Carla was gracious enough to take the time to sit down with us to answer some fan questions! Take a read below! These interests are filtered through early 20th century science fiction and 19th century philosophies and heavily influenced by Dominican folklore and traditions, to portray a unique lived experience–a tourbulate, raw and incongruous vision of existence. For that, I am more interested in the subjective experience of consciousness more specifically, what it feels like from the inside to be a human being. This world is the one we perceive through simplified pictures of colors and shapes in space.Within this exploration I have found that our minds become more apparent as we let our image multiply and reconfigures itself into different entities. The objective of this body of work is to articulate my interests in phenomenal consciousness to go beyond what the philosopher Wilfrid Sellars called the manifest image. Through watercolors, drawings and sculpture half-sentient beings emerge and the curiosities manifest themselves as surreal animal-human hybrid bodies, usually caught walking through abstract natural spaces, abandoned woods or identified by the objects they have left behind. My practice is a multidisciplinary exploration revolving around the relationships between alienation, creation, and autonomy.
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